To play a C blues scale on piano, start by sitting at a piano with your hands in the middle C position. From there, play the following notes in order: C, Eb, F, Gb, G, Bb, and C. To make the scale sound more bluesy, try adding in some embellishments, such as trills or slides. You can also experiment with different rhythms, such as a slow shuffle or a fast swing.
The key of C appears as both a major and minor key on the Circle of Fives diagram. The blues scale notes are six, and the tonic note octave is seven notes in total. Because the audio files below play every note in the piano above, middle C (marked at the bottom as orange) is the second note that appears. In this tune, note 1 is the tonic note, and note C is the starting note, but note 13 has the same name but is one octave higher. Replacing a note with the piano key that is lower in pitch will flatten it. For this major scale, the fifth note is shaped from G to Gb to make the blue note. With the Gb blues scale, the complex note names from the major scale are simplified in order to arrive at the final blues scale notes.
This is due to the fact that blues (and pentatonic scales) do not adhere to the well-worn music theory rules relating to diatoses. Each note in A..G may only be used once in the C natural minor scale, for example. The pentatonic scale was derived from the natural minor scale’s 1st, 3rd, 4th, 5th, and 7th notes. In the previous step, the blues scale will be constructed by taking the fourth note (note G) of that scale, flattening it, and inserting it before the scale of the previous step. A note Gb is the blue note that makes this key’s blues scale distinctive.
What are the notes of the C major blues scale? The Major Blues Scale notes are C D# E G and A, and like the Minor Blues Scale notes, they are C D# E G and A, and they are used to modify the C Major Scale as follows: 1, 2, flat 3, 4, 5, 6, and 7.
What Is The C Blues Scale?
The notes in the C major blues scale are C D Eb E G A. There are no flats or sharps in this key signature. You can listen to the scale by pressing play on your keyboard.
C appears as a major and minor key on the Circle of fifths diagram. Six blues scale notes, one octave of the tonic note, and seven notes total are included in the composition. On the piano diagram, there is an orange line next to the 2nd note that leads to Middle C (midi note 60). Note 1 is the tonic note, which means the beginning note, C, and note 13 is the same note name but one octave higher. To determine how much whole tone is there, use only two piano keys, either white or black. If you want to flatten a note, just replace it with a piano key that is lower in pitch. The fifth note of the major scale is made up of a blue note and a flattened note from G to Gb.
The pattern repeats itself as the seventh note is the octave above the tonic note. The notes on the C natural minor scale scale show the minor pentatonic scale that is used to make the minor pentatonic scale. The first, third, fourth, fifth, and seventh notes are derived from the natural minor scale, respectively. In turn, a blues scale is used to construct this scale in the key of A. The C scale contains these sharp and flat note names in addition to the natural C scale.
What Are The Six Notes In A Blues Scale In C?
Here’s how to learn the major blues scale formula: C – D – Eb – E – G – A The blue note in this major scale is E flat. The major blues scale can be substituted for any of the exercises you have previously performed.
How To Use The Blues Scale To Play Rock Music
This scale is frequently used to play blues and rock music. It’s a fantastic way to introduce a new student to the world of music.
C Blues Scale Notes
The c blues scale consists of the notes c, eb, f, gb, g, bb, and c.
Blues Scale Notes
The notes in a blues scale are the same as a minor pentatonic scale, with the addition of a flattened fifth, or blue note. The flattened fifth gives the scale its characteristic sound, and the minor third gives it a sad or melancholic quality.
Peter Williams is a graduate of B.A Arts and Culture from the University of Technology Sydney. Peter is very much interested in cultural practices around the world including music, history, languages, literature, religion and social structures.